My boyfriend and I recently watched 17 Again: a film where Zac Efron plays the part of a middle age man who through divine janitorial intervention is transformed back into his 17 year old self and has to attend high school with his two teenage children. The film was fine, made me laugh, nothing out of this world. This is not a film review.
During the film Zac Efron’s character delivered an instructional speech to three girls who finding him attractive, decide to get their flirt on and let him know they are interested. His words (I’m quoting from memory here) were:
Girls! ‘If you don’t respect yourselves, how will men ever be able to respect you.’
Stop right there Zac Efron, or more accurately the screenwriters of 17 Again! Please, this is enough. This is another phrase I hear constantly especially in films and television. And it is seemingly portrayed as empowering message to young women… does no one else see the problem here?
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Left image from BBC’s Atlantis; right image from Xena: Warrior Princess.
A couple of years ago British television and computer screens were abuzz with the BBC’s own addition to the horde of classical adaptations and reinterpretations to make it onto the ‘little’ screen. If you have been living under a rock, or perhaps actually living, you might not yet have heard of Atlantis; the epic saga of Jason, born in 2013 only to find himself in the yet to be submerged city of Atlantis living in a flat-share with Pythagoras and Hercules (or Heracles) during some unspecified period of ancient Greek history all because his submarine accidently stumbled into what was presumable a wormhole in the fabric of time, and reality, under the sea.
This show took ancient philosophers and mythological heroes, however questionably heroic they may be represented, and blends them together against a factually uncomfortably backdrop. The abandoned facts need not be historical; no objections to the show have insinuated Jason and Hercules were genuine historical figures but that does not mean ancient writers have given us any less established (f variable) stories of their lives. As television screenwriter’s everywhere run in fear from the confines of the original tales offended historians and classicists have crawled back out of the woodwork to once again object on the behalf of antiquity.
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